At the Temple de Châtelaine, Guan Xiao stages contrasts she does not try to erase: archaic and industrial, natural and synthetic. Hybrid assemblages, gēndiāo — root sculptures set against oversized painter's palettes — and installations combining sculpture with kaleidoscopic wallpapers weave together tradition and technology. Born in Chongqing and trained in Beijing, the artist has been known since the mid-2000s. MAMCO invites her into an unusual setting for contemporary art.
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