{"product_id":"floetrol-2-5-liter","title":"FLOETROL 2.5 litres","description":"\u003cdiv class=\"fa-floetrol-guide\"\u003e\n\u003csection id=\"fa-floetrol-benefits\" class=\"fa-floetrol-guide-section\"\u003e\n\u003ch2\u003eBetter paint flow for your pouring ideas\u003c\/h2\u003e\n\u003cp\u003eLayer your colours, turn the cup over and watch a picture take shape. In acrylic pouring, the paint mixture has a major influence on how your idea develops on the canvas. Owatrol Floetrol is a water-based paint additive that improves the flow of acrylic paints. It helps you explore flowing ribbons of colour, organic patterns and cell effects. The 2.5-litre container provides material for several projects; how far it goes depends on the canvas size, technique and mixture.\u003c\/p\u003e\n\u003cp\u003eAt Fleury-Art, the focus is on creative use: acrylic pouring, fluid art and experimenting with colour. Floetrol is manufactured by Owatrol. Order from Fleury-Art for delivery directly from Switzerland.\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003e\u003cstrong\u003eColours that flow more easily:\u003c\/strong\u003e Adjust the mixture to your project and spread it by pouring and tilting.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eTime to shape your picture:\u003c\/strong\u003e Floetrol improves workability and helps extend the paint's open time.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eInteresting cell effects:\u003c\/strong\u003e Depending on your paints, consistency and technique, cells can develop without added silicone oil.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eRoom to experiment:\u003c\/strong\u003e Make small test batches to find the combination you enjoy working with.\u003c\/li\u003e\u003c\/ul\u003e\n\u003ch3\u003eFloetrol, water or pouring medium?\u003c\/h3\u003e\n\u003cp\u003eThese ingredients serve different purposes. Choose them according to your paint and the surface finish you want to achieve.\u003c\/p\u003e\n\u003ctable\u003e\u003ccaption\u003eComparing ingredients for acrylic pouring\u003c\/caption\u003e\u003cthead\u003e\u003ctr\u003e\u003cth scope=\"col\"\u003eIngredient\u003c\/th\u003e\u003cth scope=\"col\"\u003eWhat it does\u003c\/th\u003e\u003cth scope=\"col\"\u003eWhat to consider\u003c\/th\u003e\u003c\/tr\u003e\u003c\/thead\u003e\u003ctbody\u003e\u003ctr\u003e\u003cth scope=\"row\"\u003eFloetrol\u003c\/th\u003e\u003ctd\u003eImproves the flow and workability of water-based acrylic paint; used for pouring and cell effects.\u003c\/td\u003e\u003ctd\u003eTest it with your chosen paint and adjust the consistency to your technique.\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003cth scope=\"row\"\u003eWater\u003c\/th\u003e\u003ctd\u003eHelps make an already prepared paint mixture more fluid when added in small amounts.\u003c\/td\u003e\u003ctd\u003eDoes not replace a medium's properties. Too much water can affect coverage and the quality of the paint film.\u003c\/td\u003e\u003c\/tr\u003e\u003ctr\u003e\u003cth scope=\"row\"\u003ePouring medium\u003c\/th\u003e\u003ctd\u003eA painting medium sold specifically for pouring; properties and sheen vary between products.\u003c\/td\u003e\u003ctd\u003eFollow the instructions for that medium. Test combinations of different mediums separately first.\u003c\/td\u003e\u003c\/tr\u003e\u003c\/tbody\u003e\u003c\/table\u003e\n\u003c\/section\u003e\n\u003csection id=\"fa-floetrol-mixing\" class=\"fa-floetrol-guide-section\"\u003e\n\u003ch2\u003eMixing Floetrol: Consistency comes first\u003c\/h2\u003e\n\u003cp\u003eA useful starting point from our Fleury-Art tutorial is \u003cstrong\u003e2 parts Floetrol to 1 part acrylic paint, measured by volume\u003c\/strong\u003e. For example, combine 100 ml of acrylic paint with 200 ml of Floetrol. Add water afterwards, only if needed. This is a starting recipe to experiment with, rather than a fixed rule for every paint and every pouring technique.\u003c\/p\u003e\n\u003cp\u003eHeavy-bodied artists' acrylics behave differently from more fluid paints. Even individual colours within one range can respond differently. Prepare each colour in its own cup and compare their consistencies before layering them.\u003c\/p\u003e\n\u003col\u003e\u003cli\u003eMix the Floetrol well before pouring it out, following the product instructions.\u003c\/li\u003e\u003cli\u003ePlace Floetrol and acrylic paint in a clean mixing cup. Measure both using the same unit of volume.\u003c\/li\u003e\u003cli\u003eMix thoroughly, including the bottom and sides of the cup. Stir steadily to avoid introducing unnecessary air.\u003c\/li\u003e\u003cli\u003eIf the mixture is too thick, add a little water, stir again and check the flow. Repeat in small steps.\u003c\/li\u003e\u003cli\u003eLet a frothy mixture rest briefly, then try a small test pour.\u003c\/li\u003e\u003c\/ol\u003e\n\u003ch3\u003eCheck the flow from your stirring stick\u003c\/h3\u003e\n\u003cp\u003eFor a classic flip cup, our tutorial demonstrates a consistency similar to warm, runny honey. The paint should fall from the stick in a continuous ribbon and quickly merge back into the mixture in the cup. If it leaves a pronounced mound, it is still too thick for this starting point. If it runs like coloured water, it may be harder to control. Dutch pours and other techniques may call for a thinner mixture.\u003c\/p\u003e\n\u003cp\u003eWhen a test works well, record the paint, amount of Floetrol and water added. This makes your preferred mixture easier to repeat. Do not confuse pouring recipes with the smaller manufacturer additions intended for brushing or spraying wall paint.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection id=\"fa-floetrol-steps\" class=\"fa-floetrol-guide-section\"\u003e\n\u003ch2\u003eYour first Floetrol pour, step by step\u003c\/h2\u003e\n\u003col\u003e\u003cli\u003e\u003cstrong\u003ePrepare your workspace.\u003c\/strong\u003e Cover the work surface and provide a tray or protective sheet to catch runoff. Also prepare a sheltered spot where the painting can dry undisturbed.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLevel the canvas.\u003c\/strong\u003e Support your primed stretched canvas securely on small risers. Keep it horizontal so excess paint can run over the edges without the canvas resting in wet paint.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eChoose your colours.\u003c\/strong\u003e Start with a small palette. Consider which colours will mix pleasantly and which contrasts you want to keep.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eMix each colour separately.\u003c\/strong\u003e Prepare Floetrol and acrylic paint in individual cups. For your first flip cup, aim for reasonably similar consistencies.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePour and move.\u003c\/strong\u003e Layer the paints according to your chosen technique. Tilt the canvas slowly, pausing to see how each movement changes the pattern.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eCheck the edges and composition.\u003c\/strong\u003e Carefully fill bare areas with suitable leftover paint. Stop tilting when you are happy with the design.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eLeave it to dry.\u003c\/strong\u003e Return the painting to a level position and protect it from dust, draughts and accidental contact.\u003c\/li\u003e\u003c\/ol\u003e\n\u003cp\u003eA square Studio stretched canvas with a 2 cm profile is a practical place to begin. A 30 × 30 cm canvas is manageable for an initial attempt; 40 × 40 and 50 × 50 cm formats provide more space for flowing colour and several pouring points. Prepare more mixture for larger canvases. The amount required also depends on how much paint you allow to run over the edges.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection id=\"fa-floetrol-techniques\" class=\"fa-floetrol-guide-section\"\u003e\n\u003ch2\u003eFour techniques to explore\u003c\/h2\u003e\n\u003ch3\u003eFlip cup: Layer, turn and discover\u003c\/h3\u003e\n\u003cp\u003eLayer your prepared colours in a cup without stirring them into one uniform colour. Place the canvas over the cup, turn both over together and carefully lift the cup. Slowly tilt the canvas to spread the pool of paint. Our detailed tutorial demonstrates this technique on a 30 × 30 cm canvas.\u003c\/p\u003e\n\u003ch3\u003eDirty pour: Guide the flow\u003c\/h3\u003e\n\u003cp\u003eThis method also brings several colours together in one cup. You then pour them directly onto the canvas. The location, direction and speed of the pour influence the pattern. A steady stream creates ribbons of colour that you can develop further by tilting. Our video includes a compact demonstration from 6:26.\u003c\/p\u003e\n\u003ch3\u003eSwipe: Gently draw colour across the surface\u003c\/h3\u003e\n\u003cp\u003eSpread your prepared colours on the canvas, then gently draw an additional layer over them using a nearly flat palette knife or a flexible strip. Apply little pressure so you do not scrape away the underlying paint. Start on a small surface and watch how colour transitions and possible cells develop. One steady pass often preserves colour separation better than repeatedly working over the same area.\u003c\/p\u003e\n\u003ch3\u003eDutch pour: Shape paint with air\u003c\/h3\u003e\n\u003cp\u003eIn a Dutch pour, airflow moves the paint over the surface. The mixture is often more fluid than it would be for a flip cup. Test it on a small surface: the paint should move readily without running away uncontrollably. A suitable background layer and short, deliberate movements matter just as much as your choice of medium.\u003c\/p\u003e\n\u003cp\u003eExplore more foundations and techniques in our \u003ca href=\"https:\/\/acrylfarbe.ch\/pages\/acrylgiessen#gSAzchMZbf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eacrylic pouring guides on acrylfarbe.ch\u003c\/a\u003e. The linked resource is in German.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection id=\"fa-floetrol-cells\" class=\"fa-floetrol-guide-section\"\u003e\n\u003ch2\u003eCreating cells with Floetrol, with or without silicone oil\u003c\/h2\u003e\n\u003cp\u003eCells do not follow a fixed formula. Your colours, differences in density, consistency, layering and movement all influence the result. Floetrol can support cell formation, and cells may appear without silicone oil. Their number and size cannot be guaranteed.\u003c\/p\u003e\n\u003cp\u003eSilicone oil is an optional addition for certain effects. Our application video uses a small amount. Follow the guidance for your silicone product and take the amount of mixed paint into account. Comparing two small test pours, one with silicone and one without, is a useful way to decide before pouring a larger painting.\u003c\/p\u003e\n\u003cp\u003eA torch is not essential for acrylic pouring. Heat is demonstrated in parts of the videos, but you can begin without it and first learn how your paints respond to mixing, layering and tilting.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection id=\"fa-floetrol-videos\" class=\"fa-floetrol-guide-section\"\u003e\n\u003ch2\u003eWatch Floetrol in our Fleury-Art tutorials\u003c\/h2\u003e\n\u003cp\u003eSee the consistency on a stirring stick and follow the process from separate cups of paint to a finished pour. Both tutorials demonstrate Floetrol in use. \u003cstrong\u003eThe videos are in German.\u003c\/strong\u003e The visual demonstrations make the mixing and pouring stages easy to follow.\u003c\/p\u003e\n\u003carticle\u003e\u003ch3\u003eA quick introduction to Floetrol and mixing\u003c\/h3\u003e\u003cp\u003eThis 2:30-minute video introduces the ratio of paint to Floetrol and explains why the final consistency matters.\u003c\/p\u003e\u003ca class=\"fa-floetrol-video\" data-fa-video=\"gPUEm1eW3GM\" href=\"https:\/\/www.youtube.com\/watch?v=gPUEm1eW3GM\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePlay video: Acrylic Pouring with Floetrol — German tutorial\u003c\/a\u003e\u003c\/article\u003e\n\u003carticle\u003e\u003ch3\u003eThe full demonstration: Mixing, flip cup and dirty pour\u003c\/h3\u003e\u003cp\u003eIn 8:01 minutes, we take you from preparation through two different pouring methods.\u003c\/p\u003e\u003ca class=\"fa-floetrol-video\" data-fa-video=\"wFOGDfQeZZc\" href=\"https:\/\/www.youtube.com\/watch?v=wFOGDfQeZZc\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePlay video: FLOETROL application tutorial — in German\u003c\/a\u003e\u003cp\u003eJump to a chapter: \u003ca href=\"https:\/\/www.youtube.com\/watch?v=wFOGDfQeZZc\u0026amp;t=62s\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eMixing the paints\u003c\/a\u003e · \u003ca href=\"https:\/\/www.youtube.com\/watch?v=wFOGDfQeZZc\u0026amp;t=167s\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eChecking consistency\u003c\/a\u003e · \u003ca href=\"https:\/\/www.youtube.com\/watch?v=wFOGDfQeZZc\u0026amp;t=237s\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eFlip cup\u003c\/a\u003e · \u003ca href=\"https:\/\/www.youtube.com\/watch?v=wFOGDfQeZZc\u0026amp;t=386s\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eDirty pour\u003c\/a\u003e.\u003c\/p\u003e\u003c\/article\u003e\n\u003c\/section\u003e\n\u003csection id=\"fa-floetrol-troubleshooting\" class=\"fa-floetrol-guide-section\"\u003e\n\u003ch2\u003eWhen your pour does not flow as expected\u003c\/h2\u003e\n\u003cdl\u003e\u003cdt\u003e\u003cstrong\u003eThe paint barely moves.\u003c\/strong\u003e\u003c\/dt\u003e\u003cdd\u003eCheck the consistency in the cup first. If it is too thick, add a little water and test again. Also check whether dry patches on the canvas are slowing the flow.\u003c\/dd\u003e\u003cdt\u003e\u003cstrong\u003eThe pattern spreads too quickly.\u003c\/strong\u003e\u003c\/dt\u003e\u003cdd\u003eThe mixture may be too thin, or the canvas may be tilted too steeply. Adjust a small portion with thicker acrylic paint, check it again and move the canvas more gently.\u003c\/dd\u003e\u003cdt\u003e\u003cstrong\u003eVery few cells appear.\u003c\/strong\u003e\u003c\/dt\u003e\u003cdd\u003eCompare different colour combinations, consistencies and layering orders. Change one variable at a time. Adding more Floetrol or silicone oil does not automatically produce the result you want.\u003c\/dd\u003e\u003cdt\u003e\u003cstrong\u003eThe colours look muddy.\u003c\/strong\u003e\u003c\/dt\u003e\u003cdd\u003eToo many colours or prolonged movement can reduce their separation. Try a smaller palette and stop tilting earlier.\u003c\/dd\u003e\u003cdt\u003e\u003cstrong\u003eAir bubbles affect the surface.\u003c\/strong\u003e\u003c\/dt\u003e\u003cdd\u003eStir more gently and leave the mixture to stand briefly before pouring. Use clean tools and avoid whipping air into the paint.\u003c\/dd\u003e\u003cdt\u003e\u003cstrong\u003eYou notice lumps or dried skin.\u003c\/strong\u003e\u003c\/dt\u003e\u003cdd\u003eInspect both Floetrol and paint before mixing. Visible pieces of dried skin can be removed with a clean, fine paint strainer. If the mixture curdles or changes unusually, check compatibility and the condition of the materials before continuing.\u003c\/dd\u003e\u003cdt\u003e\u003cstrong\u003ePaint gathers on one side.\u003c\/strong\u003e\u003c\/dt\u003e\u003cdd\u003eCheck that the canvas is level and its supports are stable. Fluid paint can continue moving after you have finished pouring.\u003c\/dd\u003e\u003c\/dl\u003e\n\u003c\/section\u003e\n\u003csection id=\"fa-floetrol-drying\" class=\"fa-floetrol-guide-section\"\u003e\n\u003ch2\u003eDrying, finishing and storage\u003c\/h2\u003e\n\u003cp\u003eA surface that feels dry is not necessarily dry throughout. The amount of paint, layer thickness, mixture and room conditions all affect the waiting time. Follow the instructions for your acrylic paint and the varnish you intend to use. Apply a finishing varnish only when the entire paint layer is sufficiently dry; there is no universal one-day varnishing rule for poured paintings.\u003c\/p\u003e\n\u003cp\u003eTry your chosen finish on a sample first. Paintings containing silicone need suitable surface preparation before coating, following the finishing product's instructions. Floetrol itself should not be mixed into clear acrylic varnish.\u003c\/p\u003e\n\u003cp\u003eClose the container carefully after use and protect it from frost and high temperatures. Follow the shelf-life and application information on the label. Floetrol is intended for water-based paints; do not mix it with oil-based or alkyd paints. Test new combinations in small quantities. Keep your work area well ventilated, avoid skin and eye contact, and follow the instructions for all the products you use. Do not pour liquid paint waste down the drain.\u003c\/p\u003e\n\u003c\/section\u003e\n\u003csection id=\"fa-floetrol-faq\" class=\"fa-floetrol-guide-section\"\u003e\n\u003ch2\u003eFrequently asked questions about Floetrol\u003c\/h2\u003e\n\u003cdetails\u003e\u003csummary\u003eCan I pour Floetrol without adding acrylic paint?\u003c\/summary\u003e\u003cp\u003eFloetrol is a paint additive, rather than a ready-to-pour colour. Mix it with suitable water-based acrylic paint for your artwork.\u003c\/p\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWill the 2:1 ratio work with every paint?\u003c\/summary\u003e\u003cp\u003eNo. Two parts Floetrol to one part acrylic paint is a practical starting point from our tutorial. Adjust the mixture for your paint, technique and desired flow.\u003c\/p\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow much water should I add?\u003c\/summary\u003e\u003cp\u003eThere is no single quantity for every paint. Add water in small steps after combining paint and Floetrol, checking the consistency each time.\u003c\/p\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eDo I need silicone oil to create cells?\u003c\/summary\u003e\u003cp\u003eNot necessarily. Cells can appear with Floetrol without added silicone oil. Silicone is optional, and the result depends on the complete mixture and your technique.\u003c\/p\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow many paintings can I make with 2.5 litres?\u003c\/summary\u003e\u003cp\u003eCanvas size, mixing ratio, layer thickness and runoff all influence consumption. A reliable number cannot be given for every project. Record how much you use in a successful test as a guide for future work.\u003c\/p\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhich canvas size is suitable for a beginner?\u003c\/summary\u003e\u003cp\u003eA 30 × 30 cm canvas is a manageable starting size and appears in our detailed Fleury-Art video. Move on to 40 × 40 or 50 × 50 cm as you gain experience.\u003c\/p\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhere can I find more instructions?\u003c\/summary\u003e\u003cp\u003eOur \u003ca href=\"https:\/\/acrylfarbe.ch\/pages\/acrylgiessen#gSAzchMZbf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eacrylic pouring guides\u003c\/a\u003e cover the basics, paint mixing, cell effects and different pouring techniques. The resource is in German.\u003c\/p\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eWhen can I varnish my poured painting?\u003c\/summary\u003e\u003cp\u003eWait until the paint layer is sufficiently dry throughout. A dry surface alone is not enough. Follow your paint and varnish instructions; layer thickness and room conditions influence the waiting time. Test adhesion on a sample, especially when silicone oil has been used.\u003c\/p\u003e\u003c\/details\u003e\n\u003cdetails\u003e\u003csummary\u003eHow do I clean cups and tools?\u003c\/summary\u003e\u003cp\u003eWipe off excess paint first and collect the residue. Clean suitable tools with soap and water while the mixture is still wet, following the manufacturer's guidance. Collect paint-containing residues for appropriate disposal; do not pour them down the drain.\u003c\/p\u003e\u003c\/details\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"FLEURY","offers":[{"title":"Default Title","offer_id":43945514828061,"sku":"Floetrol 2.5L","price":68.0,"currency_code":"CHF","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0673\/3073\/6413\/files\/Floetrol2.5l.png?v=1705424475","url":"https:\/\/fleury.art\/en\/products\/floetrol-pouring-medium-2-5-litres","provider":"Fleury-Art GmbH","version":"1.0","type":"link"}